{"id":235,"count":22,"description":"Lillian har varit kreativ p\u00e5 ett eller annat s\u00e4tt \u00e4nda sedan hon var liten. Genom \u00e5ren har det provats m\u00e5nga tekniker men just nu \u00e4r det framf\u00f6r allt akryl som hon tycker om att jobba med.\r\n\r\nMotiven har varierat under \u00e5ren och det \u00e4r nog just variationen som \u00e4r rolig. Att inte bli s\u00e5 bekv\u00e4m att man g\u00f6r samma saker om och om igen. Att v\u00e5ga l\u00e4mna sargen, v\u00e5ga vara d\u00e5lig p\u00e5 n\u00e5got f\u00f6r att utvecklas och kunna bli bra p\u00e5 flera saker. Att bli m\u00e5ngsidig.\r\n\r\nEller som David Bowie sa:\r\n\r\n\u201dIf you feel safe in the area that you\u2019re working in, you\u2019re not working in the right area. Always go a little further into the water than you feel you\u2019re capable of being in. Go a little bit out of your depth, and when you don\u2019t feel that your feet are quite touching the bottom, you\u2019re just about in the right place to do something exciting.\u201d\r\n\r\nUnder flera \u00e5r har Lillian mestadels m\u00e5lat abstrakt, Hon upplever att det finns en tjusning i att bara fokusera p\u00e5 f\u00e4rger, komposition, balans och allt annat som h\u00f6r till f\u00f6r att skapa en tilltalande abstrakt tavla. Det blir lite som en dans, man tar duken och penslarna i hand och s\u00e5 b\u00f6rjar man dansa tillsammans. I dansen blir tavlan till och f\u00f6r att det ska bli bra beh\u00f6ver man vara lyh\u00f6rd f\u00f6r vad som vill komma fram.\r\n\r\nAtt vara lyh\u00f6rd \u00e4r ocks\u00e5 det som driver henne till att m\u00e5la annat. Vad vill komma fram nu, vad finns det en l\u00e4ngtan efter?\r\n\r\nMer av Lillians konst kan ni hitta h\u00e4r: @artbylitchi<\/a>\r\n\r\nOriginalkonst finner ni h\u00e4r: zeitgeist.art\/artist\/art-by-litchi<\/a>","link":"https:\/\/dev.jazzywalls.com\/sv\/artist\/artbylitchi\/","name":"Lillian Christiansson","slug":"artbylitchi","taxonomy":"artist","parent":0,"meta":[],"acf":[],"yoast_head":"\nLillian Christiansson - Jazzy Walls Sthlm<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dev.jazzywalls.com\/sv\/artist\/artbylitchi\/\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lillian Christiansson - Jazzy Walls Sthlm\" \/>\n<meta property=\"og:description\" content=\"Lillian har varit kreativ p\u00e5 ett eller annat s\u00e4tt \u00e4nda sedan hon var liten. Genom \u00e5ren har det provats m\u00e5nga tekniker men just nu \u00e4r det framf\u00f6r allt akryl som hon tycker om att jobba med. Motiven har varierat under \u00e5ren och det \u00e4r nog just variationen som \u00e4r rolig. Att inte bli s\u00e5 bekv\u00e4m att man g\u00f6r samma saker om och om igen. Att v\u00e5ga l\u00e4mna sargen, v\u00e5ga vara d\u00e5lig p\u00e5 n\u00e5got f\u00f6r att utvecklas och kunna bli bra p\u00e5 flera saker. Att bli m\u00e5ngsidig. Eller som David Bowie sa: \u201dIf you feel safe in the area that you\u2019re working in, you\u2019re not working in the right area. Always go a little further into the water than you feel you\u2019re capable of being in. Go a little bit out of your depth, and when you don\u2019t feel that your feet are quite touching the bottom, you\u2019re just about in the right place to do something exciting.\u201d Under flera \u00e5r har Lillian mestadels m\u00e5lat abstrakt, Hon upplever att det finns en tjusning i att bara fokusera p\u00e5 f\u00e4rger, komposition, balans och allt annat som h\u00f6r till f\u00f6r att skapa en tilltalande abstrakt tavla. Det blir lite som en dans, man tar duken och penslarna i hand och s\u00e5 b\u00f6rjar man dansa tillsammans. I dansen blir tavlan till och f\u00f6r att det ska bli bra beh\u00f6ver man vara lyh\u00f6rd f\u00f6r vad som vill komma fram. Att vara lyh\u00f6rd \u00e4r ocks\u00e5 det som driver henne till att m\u00e5la annat. Vad vill komma fram nu, vad finns det en l\u00e4ngtan efter? 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Genom \u00e5ren har det provats m\u00e5nga tekniker men just nu \u00e4r det framf\u00f6r allt akryl som hon tycker om att jobba med. Motiven har varierat under \u00e5ren och det \u00e4r nog just variationen som \u00e4r rolig. Att inte bli s\u00e5 bekv\u00e4m att man g\u00f6r samma saker om och om igen. Att v\u00e5ga l\u00e4mna sargen, v\u00e5ga vara d\u00e5lig p\u00e5 n\u00e5got f\u00f6r att utvecklas och kunna bli bra p\u00e5 flera saker. Att bli m\u00e5ngsidig. Eller som David Bowie sa: \u201dIf you feel safe in the area that you\u2019re working in, you\u2019re not working in the right area. Always go a little further into the water than you feel you\u2019re capable of being in. Go a little bit out of your depth, and when you don\u2019t feel that your feet are quite touching the bottom, you\u2019re just about in the right place to do something exciting.\u201d Under flera \u00e5r har Lillian mestadels m\u00e5lat abstrakt, Hon upplever att det finns en tjusning i att bara fokusera p\u00e5 f\u00e4rger, komposition, balans och allt annat som h\u00f6r till f\u00f6r att skapa en tilltalande abstrakt tavla. Det blir lite som en dans, man tar duken och penslarna i hand och s\u00e5 b\u00f6rjar man dansa tillsammans. I dansen blir tavlan till och f\u00f6r att det ska bli bra beh\u00f6ver man vara lyh\u00f6rd f\u00f6r vad som vill komma fram. Att vara lyh\u00f6rd \u00e4r ocks\u00e5 det som driver henne till att m\u00e5la annat. Vad vill komma fram nu, vad finns det en l\u00e4ngtan efter? 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